Diversity
Diversity has not always been prevalent in education, let alone art education. The course readings on diversity have made it apparent the overwhelming trend when it comes to inclusion of diversity, is that as time goes on diversity has become more and more accepted, expected, and even celebrated. The culturally responsive teaching that is happening is allowing this diversity to grow in unprecedented ways. Teachers are using sustainable teaching practices that take culture into account, therefore account for diversity. This teaching and learning takes into account how perspectives differ from culture to culture and how that difference impacts how we see ourselves.
When thinking about teaching multiple perspectives, it becomes apparent to think about the entanglement of moral/ethical and cultural values. This brings to mind one of my colleagues who told me about a time she taught a third grade social studies lesson on the meaning and importance of culture. During this lesson, a student shared how each year their family sacrifices a lamb to bring good luck and honor to the family for the following year. She shared that many other students gasped and made comments about how gross and cruel that was. This is exactly where moral/ethical and cultural values intersect. As a teacher, she felt like it was wrong to kill and animal for sacrifice, but felt like she would invalidate that student’s culture if she commented on it being inhumane. When it comes to moments like these, it is important to teach how perspective is norm based. It is with this culturally responsive teaching that progress in terms of diversity is made.
In “Killing Us Softly 4”, the author makes the point that feminism looks different for people with differing perspectives but it still exists for them. While feminism obviously still has a definition, it can be seen in varieties. The guide pointed out that patterning in ads has gotten worse overtime, which actually contradicts diversity trends in general. The fact that images in these ads are becoming more of a part of our subconscious than conscious thoughts is troubling. Some do not feel like they are being influenced at all. “They (ads) tell us who we are and who we should be.” (p.5). With all that in existence, “How to Deconstruct a Video Advertisement” definitely has purpose. We’re living in a climate where girls are sexualized to the maximum extent - to the point where we need to teach teenage girls how to deal and cope with this being a part of society, and their everyday reality. However, the acknowledgement of this problem and an attempt to address it is the first step to healing and problem solving. Judy Chicago is part of this movement of change with “The Dinner Party”. “The Dinner Party” educates people about women’s role and history and all of their achievements. Again, this acknowledgment allows diversity to grow and change as cultures and perspectives do respectively. It is my hope that as culture continues to evolve, that culturally responsive practices continue with it.
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